SMASH EPISODE 4 ABRIDGED:
"THE COST OF ART (IS AN 0.5 RATINGS DIP)"
A Broadway Abridged Script by Gil Varod
SCENE: PREVIOUSLY ON SMASH...
MEGAN HILTY'S RACK
Hi.
SCENE: KATHARINE MCPHEE'S FIRST DAY OF REHEARSAL.
KATHARINE MCPHEE
Hello everyone.
TWO BITCH GIRLS AND A BITCHY
GAY GUY
UGH!
Megan Hilty enters and everybody claps
for her.
BROADWAY ACTOR WITH ONE LINE
IN THIS EPISODE
We love you Megan Hilty!
ANOTHER BROADWAY ACTOR
MAKING MONEY ON THE SIDE BY
APPEARING IN THIS THING
Megan Hilty, you're the best! I like you and dislike
Katharine McPhee!
A THIRD BROADWAY ACTOR WHOSE
TALENT IS BEING WASTED
You'll surely NEVER be the villainess of this show, thereby
turning off all the people who like you much better! That
wouldn't possibly happen!
SCENE: ANJELICA HUSTON'S OFFICE.
ANJELICA HUSTON
Oh no I have to sell my artwork.
That's enough of that.
SCENE: REHEARSAL.
Megan Hilty changes into her "I slept
with the Director and all I got was
this lousy T-Shirt" T-Shirt.
KATHARINE MCPHEE
They're *sleeping* together?
TWO BITCH GIRLS AND A BITCHY
GAY GUY
I don't know that they're getting much sleep!
SERIES CREATOR
THERESA REBECK
BWAH HA HA HA HA THIS IS WHAT I CONSIDER HUMOR.
JACK DAVENPORT
(to Megan Hilty)
Hey, did you hear Nick Jonas is in this episode? I'm
throwing him a big birthday party. I discovered him.
MEGAN HILTY
(to Christian Borle)
Did you hear Nick Jonas is in this episode? Jack Davenport
is throwing him a big birthday party. He told me he
discovered him.
CHRISTIAN BORLE
(to Debra Messing)
Did you hear Nick Jonas is in this episode? Jack Davenport
is throwing him a big birthday party. He told Megan Hilty he
discovered him.
DEBRA MESSING
(to that penis assistant)
Did you hear Nick Jonas is in this episode? Jack Davenport
is throwing him a big birthday party. He told Megan Hilty he
discov--
MEGAN HILTY
EVERYONE! Katharine McPhee is too loud. I want to throw her
out of the number.
JACK DAVENPORT
(to Christian Borle)
Megan Hilty thinks Katharine McPhee is too loud. She's
throwing her out of the number.
CHRISTIAN BORLE
OK, Katharine McPhee. Megan Hilty is throwing you out of the
number because she thinks you're too loud.
SCENE: CITY HALL.
KATHARINE MCPHEE
So Megan Hilty threw me out of the number. She thought I was
too loud. Megan Hilty threw me out of the number. She
thought--
KATHARINE MCPHEE'S BOYFRIEND
Has this show already assumed that people are watching it in
the background while sorting laundry?
KATHARINE MCPHEE
She--
KATHARINE MCPHEE'S BOYFRIEND
Sorry, I can't hear you. In this episode, my characteristic
is that I own a cellphone!
SCENE: ANJELICA HUSTON'S OFFICE.
ANJELICA HUSTON
(points at lawyer)
YOUR OCCUPATION IS A LAWYER.
LAWYER
Yes.
ANJELICA HUSTON
I HATE MY EX-HUSBAND BUT I USED TO NOT HATE MY EX-HUSBAND.
LAWYER
Also true.
ANJELICA HUSTON
Good, I wanted to make sure everyone knew that there can
always be more exposition.
(sighs)
Oh, artwork!
LAWYER
We must be improvising, right?
We couldn't possibly be working off of an actual script...
SCENE: OUTSIDE REHEARSAL.
TWO BITCH GIRLS AND A BITCHY
GAY GUY
Oh look it's Katharine McPhee again. UGH!
KATHARINE MCPHEE
Megan Hilty threw me out of the number. She--
TWO BITCH GIRLS AND A BITCHY
GAY GUY
WE SAID "UGH!" YOU ARE BORING AND FROM OHIO, SO WE HATE YOU.
KATHARINE MCPHEE
(piano underscoring kicks in to
show that this moment is
IMPORTANT)
(or, that perhaps somebody needs
piano scoring to make up for
lackluster acting skills)
You guys are being jerks.
TWO BITCH GIRLS AND A BITCHY
GAY GUY
You are right! We shouldn't be mean to you. After all
you're boring, and from Ohio!
Now we suddenly adore you because we are going to make you a
better person. By peer-pressuring you into buying expensive
clothes and turning you into a rag doll.
KATHARINE MCPHEE
Sure, why don't I spend the entirety of what my Dad gave me
in the last episode, in one spree! Surely that won't cheapen
anything.
SCENE: NICK JONAS'S BIRTHDAY PARTY.
JACK DAVENPORT
I'm throwing a birthday party for boy who isn't even old
enough to drink. Nothing is creepy about this at all!
NICK JONAS
Who wants to hear me through my nose? Cuz that's the only
way I can sing.
MEGAN HILTY
Singing through your nose turns me on. Let's go have sex.
NICK JONAS
(to camera)
I AM THUMBS-UPING, AMERICA, SO YOU KNOW I AM INTO THIS AND
ALSO DEFINITELY NOT GAY.
They move into the bedroom but Anjelica
Huston is there, still crying over her
dumb artwork.
ANJELICA HUSTON
Hey 20-year-old boy! Buy this painting. It was my past
happiness...
(to Megan Hilty)
But now you are my Happiness.
NICK JONAS
You're a real cockblock. Also this is my worst birthday yet.
ANJELICA HUSTON
(calling for a waiter)
Drinks!
NICK JONAS
Does this *look* like a bar?
Anjelica Huston calls together a subset
of the main characters that you don't
give a crap about (as opposed to the
other main characters whom you also
don't care about).
ANJELICA HUSTON
Debra Messing, Christian Borle, Will Chase, Megan Hilty:
everybody has to audition for Nick Jonas!
WILL CHASE
So we have more backing money for the Marilyn musical?
ANJELICA HUSTON
What? No, it's NBC's contingency plan when Smash loses it's
last viewer in Mid-March:
A show called "Everybody Has To Audition For Nick Jonas".
AND GRACE
Sounds completely awful, but not entirely unbelievable.
They present a song for the partygoers:
NICK JONAS
Hi everybody, today is my Birthday, so obviously I want to
listen to showtunes. Take it away, Christian-Borle-and-some-
other-musicians-you've-never-met-who-don't-have-the-
sheet music.
CHRISTIAN BORLE
All right, guys, uh, listen. This is a blues riff in "B",
watch me for the changes, and try and keep up, okay?
The creative team breaks out into song
and sings perfectly and dances in
complete unison and even Nick Jonas's
character seems to know lyrics.
ANJELICA HUSTON
We are 5 seconds away from breaking out into "Come on
Eileen" solely because my character's name is Eileen.
MEGAN HILTY
(feeling cocky for having
almost fucked a Jonas brother)
Jack Davenport, do you love me?
JACK DAVENPORT
You are worthless scum, Megan Hilty. And other shitty things
I tell you so you feel horrible.
MEGAN HILTY
(crying)
I am sorry just don't leave me please I'm a nothing.
JACK DAVENPORT
Heh.
KATHARINE MCPHEE
Hey, don't I get to poorly-lipsync yet another random pop
song in yet another karaoke bar for no reason?
That of course happens.
Then the episode ends because
it filled up enough minutes of TV.
PLAYWRIGHT, SCREENWRITER
AND TELEVISION WRITER
AARON SORKIN
Twenty bucks to the first person who can explain to me why
I'm not writing this show.
BLACKOUT.
Thanks for the great joy yo bring us with all of your scripts!